Evening Etching

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Printmaking has a strong tradition of forming and shaping the many wonderful emotions and ideas of different artists. From its primary function of being reproducible and accessible, the print process has continually been expanded and reinvented. The works of many artists demonstrate the benefits of the medium in its own right or alongside a co-existing practice. From Rembrandt’s close observation of the world around him to Goya and Paula Rego’s fantastical visions, Picasso’s evocative scenes, and Kathe Kollwitz’s intense testimonies to a time and place. The unique qualities that etching offers, makes it an ideal and compelling medium to work with.

The technical challenges and unexpected nature of etching can add a whole new dimension to our drawings, offering new insights and possibilities. There is much to be discovered through our own personal enquiry.

The structure of this course will focus on introducing students to various intaglio printmaking techniques (in which the incision holds the ink), such as dry point, hard ground, soft ground, sugarlift and aquatint. There will be the opportunity to work in both monochrome and colour as well as using monotype and chine collé. The different qualities of various metals and papers will also be addressed. Students will be aided and encouraged to consider, explore, and utilise a combination of these processes in the development of their individual work. All levels welcome, including beginners.

Please note: Our Print Room has limited access and etching involves using hazardous chemicals. The print room environment is not suitable for everyone. Etching classes are unsuitable for pregnant or breastfeeding women, those sensitive to chemicals or with breathing difficulties.

Featured image by Chi Park